Social Actions (Encounter Reactions)

Social actions are for interacting and communicating (using some form of Language) with others, influencing them, exchanging information, and causing them to act. There may be Social Features that leverage Social activities. A certain matter of expectation also comes with a relationship – i.e. it must be kept up through interaction and use. Contacts can be purchased at the time of Character Inception, though afterwards, relationships must be built in game. They are typically providers of goods and services.

Encounter Disposition/Reaction

Oftentimes, characters actions will produce unpredictable results in those they interact with – the reaction check simulates this. When a character commissions a smithy for a weapon, his natural charisma, mood of the smith, and situational modifiers can combine to produce spectacular results. Perhaps the master smith will take an instant liking to a character, and give them a cheaper price; Catching the smith on a bad day can mean the character is going to pay more.

Degree Predisposition Positive Acceptance Neutral Rejection Negative
1 Acceptance 01 – 40 41 – 65 66 – 80 81 – 95 96 +
2 Positive 01 – 25 26 – 65 66 – 80 81 – 95 96 +
3 Neutral 01 – 15 16 – 40 41 – 80 81 – 95 96 +
4 Negative 01 – 05 06 – 20 21 – 40 41 – 80 81 +
5 Rejection 01 – 05 06 – 15 16 – 35 36 – 55 56 +
Randomn Reaction
  • Acceptance: Familiar, immediate trust; Usually a +2 on any social checks.
  • Positive: Favorable, friendly; Usually a +1 on any social checks.
  • Neutral: Non-committal, uninterested, uncertain; Usually no adjustment on any social checks.
  • Negative: Unfavorable, unfriendly, irritated, distrustful; Usually a -1 on any social checks.
  • Rejection: Violent, disgust, hostile, immediately negative; Usually a -2 on any social checks.

Communication

If a character does not possess competency in the Language they are using to communicate, they are only getting primitive/basic notions. Differences in accents and local variants easily reduce communication to the basics – with conversation becoming barely intelligible. In order to take social actions, you must be understood by those you are interacting with. Communication issues can lead to bad reactions, affecting the availability of goods and their cost in buying and selling.

  1. Primitive: “No kill!”, “Me Friend!”; a few useful phrases or words
    Checks are DC 15 to communicate
  2. Rudimentary: Come/Go, Stop/Start, Good/Bad, Warm/Cold; common item names
    Checks are DC 10 to communicate unless the content is primitive
  3. Understandable: How/Why; “How much for food?” & When/What; “Many cars drove road yesterday.”
    Checks are DC 5 to communicate unless the content is rudimentary
  4. Conversational: Full Understanding; Can haggle, assured communication; “Clive is my doctor and his business is on 4th street.”
  5. Accomplished: Can tell sagas, stories, recite poetry and express themselves with the right emphasis. Diplomat, emissary, and leaders speech; “I crave your pardon my most noble and pious highness.”
    Checks are DC 15 to add an accomplished tone or flavor to the communication

Social Actions

Haggling

Haggling, where a vendor/seller allows it, pits the charisma and wit of the Seller‘s Charisma (Persuade, Bluff, Fast-Talk, etc.) vs the Buyer‘s Charisma (Deception, Bluff, Fast-Talk, etc.) to shift the value. Haggling is generally for individual items, not large batches, especially of different types of items.

Persuasion and Oratory

Persuasion is using all manner of fast talking, deception, convincing, etc. on a single or few similar targets. Persuasion is not interrogation; such would be effected using torture or physiological constructions to break a victim. It is much different than swaying a large, diverse crowd – that is Oratory.

Social Persuasion: Social is the default and most widely used type of persuasion. It is merely the ability to use the character’s charisma, knowledge of social cues and norms (including bribery if necessary), and reasonable arguments to illicit a positive reaction or to convince a target of the validity of an argument and/or seeing things in the character’s favor. This can usually be done quickly, through conversation. Assuming a character knows enough about a subject, they may haggle for deals using Persuade in a battle of wills.

  • Simple: The Persuade of the dealer is subtracted from the character’s persuade. If the character fails, they get the low end value. A success means they get the high end value.
  • Contest/Debate: Uses the standard battle of wills mechanic; Each party rolls, tallying the result level of their check until the first to go over the others adjusted persuade level is the winner. Ties result in continued rounds of haggling.

Seductive Persuasion: This is the art of attraction and using sexual and/or emotional desire to guide a target’s thinking to influence the opinion of the target. It can work on any denger, as long as there is would be a desire in the target for the character. This is a protracted and long play for persuasion. Suggestions are seen in a more favorable light, and they are far easier to influence through social persuasion.

Bluff Persuasion: This is the art of fast-talking, misdirection, obfuscating, etc. while seeming to tell the truth. It employs disarming tactics to make the character seem harmless or pathetic if need be. Conversely, it can leverage intensity to intimidate. Both rely on changing the perceived presence of the character. Usually the character starts trying to ‘dig their way out of a hole’ with bluffing. The Result Level of the Persuade check becomes the reaction degree that the character has swayed the target towards.

Oratory – Crowd Work

Swaying large crowds to your point of view can be a daunting task. Orating to a government assembly, cooperate committee, or social club audience are all good examples of this. A preacher seeking to convert others is also done through an oratory check.

The Prepared Speech: A speech can be written ahead of time. If applicable, the speech writer can first make a Lore:[area] check – success means local references and reading level will infuse the speech for a +2 bonus on the speech writing check. The speech is written using a language check. If the check is successful, it gives the Persuade check a bonus equal to the RC of the language check. The GM may wish to impose a penalty if the speech maker is noticeably reading from a script; or they may give a bonus if its been memorized and seems impassioned and spontaneous.

Having trouble thinking how this might play out after reading this? Check out the Players Roleplaying Guidance or ask the Game Master how it is best expressed in the setting.